It definitely shouldn’t of been dubbed a “honeymoon,” but this was a fantastic family trip! That everybody benefited from the vacation. Himani Shivpuri’s contributions to songs, of course, cannot be overlooked! Their family would have appeared so whole if even a single individual had mysteriously disappeared. Reema Lagoo rocked Rajshri’s Kaushalya (Ramayana reference!) if Alok Nath brings sanskaar aboard. Take a peek at this clan! Everybody had a purpose and belongs here. I believe it is my duty to convey to the rest of the world (and Shreemi) why Hum Saath Saath Hain is such a delight to watch. It wasn’t for nought that I sat in front of the TV weekend upon the weekend, watching the movie. Sanrachna will leave you in awe of the past and its ability to do what we cant, even with our modern tools and fancy tricks.I realise that was only her opinion, and I would have not taken this so seriously, yet I did! If you grew up in the 1990s, you’ll understand what I mean. Join our host Vaibhavi as she travels through the country discovering the fascinating stories behind Indias outstanding monuments and its architecture. With an immensely astute sense of engineering, the architects were able to construct fortresses that have stood the test of time, unshaken by its changes. From strategically placed astronomy towers to impressive and awe-inspiring tombs, Indian architecture has pushed the limits of engineering and design.Sanrachna explores these architectural wonders and how the makers of these marvels made them without the aid of modern mechanics and machinery. Indias architecture is built on that very imagination and is a fascinating fusion of both art and science. Though the underlying philosophy of any monument is to serve some sort of function, great architecture is fuelled by imagination. At least thats what it started out as at the beginning of time.From dwelling in caves to carving out temples in mountains, mankind has redefined shelter with every passing era. Shelter - one of mankinds most basic physiological needs.
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